We spent a lovely afternoon with Philip Cuttance and he explained to us the whole  story behind the making of Faceture.

The FACETURE series consists of handmade faceted vessels, light-shades and table. Each object is produced individually by casting a water-based resin into a simple handmade mould.

The mould is then manually manipulated to create the each object’s form before each casting, making every piece utterly unique.

The process is very simply explained in the video and the result is a wonderful set of sculptures to form vessels, light shades and even side tables.

Working FACETURE machine from side

The FACETURE process

First the mould of the object is hand-made by scoring and cutting a sheet of 0.5mm plastic sheet. This sheet is then folded, cut and taped into the overall shape of the product that is to be cast. The mould’s final shape, and strength, is dictated by which triangular facets I pop in and out. I do this each time I ready the mould for the next object, meaning that no two castings are the same. I then mix a water-based casting resin that is cast in the mould where it sets solid.

The resin is poured into the hollow mould and rolled around to coat and encase the sides, controlled by me on the casting jig on the machine. The material soon sets creating a hollow solid object. Then another, different coloured measure of resin is poured into the same mould, and swirled around inside, over the first. When it has set, the mould is removed to reveal the solid set cast piece. The casting appears with sharp accurate lines and a digital quality to its aesthetic, a visual ‘surprise’ considering the ‘lo-fi’, hand-made process from which it came. The mould is then cleaned and ready for re-use.

Each vase is handmade, unique, and numbered on the base.

Cuttance_Faceture_MakingCuttance_Faceture_WhitePhilip Cuttance

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